The 2022 Sight and Sound Greatest Films of All Times list seem to be causing heated discussions all over the internet. Not only for its broader and international content, but it's also making people ask themselves, what are the greatest films of all time? Even though this is a hard and almost impossible task, it's … Continue reading The 20 Greatest Films of All Times (A Papiro & Mint’s Version of Sight and Sound’s Poll)
A Personal Guide to Paris
As I said in the previous edition of What's In My Bag?, I've finally moved to Paris! After years of working, saving money, learning French, getting my Italian citizenship, and surviving the Coronavirus, I was finally able to move to the French capital. It's been a little less than two months since I arrived here … Continue reading A Personal Guide to Paris
A Look Into the 2022 Oscar Movies
It took a while, but I've finally watched Licorice Pizza! With that said, I have also finished watching every major 2021 film that I wanted to see, making it possible for me to talk about the movies that have been nominated for the next Academy Awards. As I previously mentioned in other articles, I'm not … Continue reading A Look Into the 2022 Oscar Movies
The Best Movies of 2021
2021 is finally over! And what's the best way to start off the new year if not talking about our favorite movies of 2021? Last year, movies were my biggest companion. After almost two years locked up inside, I was finally able to return to the cinemas to watch 30 movies on the big screen … Continue reading The Best Movies of 2021
The Body Electric: An Analysis of Gender and Identity in Julia Ducournau’s Titane
*The following article contains major spoilers of the movie. Titane is a movie about gender and identity. Even though this might blend in with an original horror story about sex, murder, and father-and-son relationships, Julia Ducournau builds her film in a way where the physical female body is constantly challenged to fit or respond to … Continue reading The Body Electric: An Analysis of Gender and Identity in Julia Ducournau’s Titane
